“Crucible,” is Michael Armitage’s first show at David Zwirner, inaugurating the gallery’s recently renovated 19th Street space. Armitage’s paintings on Lubugo bark cloth are stunning, with their sinuous figures and ocean
Rewinding to a few weeks ago in Paris … the Wolfgang Tillmans exhibition at the Pompidou — the last show at the institution before it closes for a five- year renovation — is our favorite among the artist’s many fantastic inst
Seeing Marlene Dumas’s work, installed alongside antique sculptures from the Museum of Cycladic art, was a real pleasure. The exhibition, “Cycladic Blues,” curated by Douglas Fogle, is the first institutional presentation of the art
We stopped by the George Economou Collection to see Charline von Heyl’s “The Giddy Road to Ruin” — our first time at the space! The exhibition was curated by Adam Weinberg and Skarlet Smatana and included paintings going back
While in Basel, we attended the fourth iteration of Basel Social Club. This year’s edition took place in a former bank and was, perhaps, the most ambitious in terms of number of galleries and artists participating. Congrats to founder, Robbie
The Gabriele Münter show at the Musée d’Art Moderne included a number of photographs she took while traveling through the United States. We spied this image she captured of three women at the Juneteenth festivities in Marshall, Texa
Opening day of Art Basel is in the books! A few of the things we saw: 1. Martin Barré at Matthew Marks 2. Vija Celmins at Matthew Marks 3. Sanya Kantarovsky at Taka Ishii 4. Karol Palczak at Foksal 5. Michel Majerus at NeugerRiemschneid
“Paulina Peavy: Works 1930s - 1980s,”organized by Vera Alemani, is the first retrospective of the artist’s work in Paris. Under the guidance of Lacamao, an Unidentified Foreign Object (UFO), Peavy explored biblical texts, re-envisi
Despite her being a founding member of Der Blaue Reiter, and her position in the modernist canon, we had seen relatively little of Gabriele Münter’s work and were excited to take in “Peindre sans détours” at the Mus&eacu
The Tomma Abts show at David Zwirner’s 19th Street space is the artist’s first at the New York gallery since 2019. Viewers will recognize Abts’s characteristic precision — lines, shapes, colors — seemingly simple, but t
There are a few gallery shows this season in which the exhibition extends across multiple venues — Sanya Kantarovsky’s “Scarecrow,” which is presented in Michael Werner’s 77th street location as well as in a space on Mad
From 2002 to about 2019, were fortunate to spend a good bit of time with Norman and Norah Stone at their residence in San Francisco. They acquired the Zellerbach Residence — built by Arthur Brown Jr. in 1927 — and were so enamored by the
We love Mark Rothko’s sublime color field paintings and Adolph Gottlieb’s “Bursts,” but enjoyed viewing their lesser known figurative works in “Gottlieb / Rothko: The Realist Years” at 125 Newbury. The exhibition
It had been more than a minute since we’ve seen a gallery exhibition of Pierre Huyghe’s work, so we were excited to see “In Imaginal” at Marian Goodman’s Tribeca location. The presentation includes works shown in the art
“Into the Dimensional Corridor” is the tenth show of Lutz Bacher’s at Galerie Buchholz and is comprised of a single work, an installation first exhibited at the Statens Museum for Kunst in Copenhagen — the title a reference to
There is just over a week left to see Nate Antolik’s first show, “Rooms,” at 15 Orient. Antolik crafts his paintings and works on paper using a select set of objects — chairs, mannequins and bottles — arranging them in v
Having followed Kang Seung Lee’s work for a number of years, we were excited to see “Body of Memory,” the artist’s first show with Alexander Gray Associates. The queer body — its strengths and fragilities — presenc
“Sargent and Paris,” another collaboration between The Met and the Musée d’Orsay, focuses on John Singer Sargent’s early career, his travels throughout Italy, Morocco, Spain and the Netherlands, and the effect that thos