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Modica Carr Art Advisory

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Modica Carr Art Advisory

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Catching up on some institutional exhibitions including “In the Medium of Life: the Drawings of Beauford Delaney,” at The Drawing Center. Curated by Rebecca DiGiovanna and Laura Hoptman, the show includes Delaney’s early work and sk
“Mysterious Delights of My Heart” at Andrew Kreps Gallery highlights Hollis Sigler’s work from the early 1980s to the late 1990s — a period in which she had already transitioned away from abstraction to focus on responding to
It’s International Cat Day — though let’s be fair, cats know that every day is their day. Time to celebrate our feline friends who have been enshrined in art! 🐈‍⬛

Images:
1. Sawako Goda, ‘Cat,’ 2010 from Nonaka Hil
We’re fortunate to have caught one of the final days of the Hudinilson Jr. and Seth Price shows at 15 Orient. Organized by DM Office, the exhibition, “Selected Works: 1978-2000,” presents Hudinilson Jr.’s production over two d
In Emily Sundblad’s exhibition, “The Adolescent Ocean,” Manet’s Olympia and Degas’s ‘Beach Scene,’ the original painters of modern life, live side by side with Sundblad’s world — Hello Kitty, the
Today is the final day to see “William Kentridge: A Natural History of the Studio” at Hauser & Wirth’s 22nd Street space.  The show, which provides insight into the artist’s working process, evolves over two floors and inc
While in the Chicago area, we traveled out to Plano, Illinois to see the Edith Farnsworth House, designed by Mies van der Rohe. Farnsworth, a well-known nephrologist, acquired the property along the Fox River from Chicago Tribune publisher, Robert R.
The Diane Arbus exhibition, “Constellation,” at the Park Avenue Armory presents all 454 of Arbus’s photographs printed by Neil Selkirk and subsequently acquired by the LUMA Foundation. Over a period of about 20 years, Arbus photogra
The exhibition, “ALWAYS,” is a four-decade survey of.Nancy Dwyer’s work and is on view at Ortuzar.  A Pictures Generation artist, Dwyer mined pop culture, transforming mundane phrases or identifiable images into something more physi
There is one day left to see Igshaan Adams’s exhibition, “Verkenning,” at Casey Kaplan Gallery. Adams continues his representations of memory, his community and human movement — whether in a domestic sphere, as desire lines (i
“Gustave Caillebotte: Painting His World,” at the Art Institute of Chicago, examines the artist’s representations of his environment — friends and family in domestic spaces; strolling along Paris’s modern boulevards stop
If you are in Paris, today is the final day to see Lucas Arruda’s show, “Qu’importe le paysage,” at the Musée d’Orsay. Arruda’s landscapes are installed alongside the museum’s incomparable Impressionis
In Kyoko Idetsu’s show, “Where Words Fail,” at Bridget Donahue, the artist paints images to illustrate her innermost thoughts and daily experiences — which often prove to me more universal in nature: anxieties around communica
“Hilma af Klint: What Stands Behind the Flowers,” begins where the artist’s “Paintings for the Temple” left off.  Klint pivots from abstraction to cataloguing the natural world — from the microscopic atom to the su
“Eternal Beginning,” curated by Beverley Calté and Arnold Pierre, focuses on Francis Picabia’s output from the last few years of his life, from 1945 to 1952. Many of the compositions hover between abstraction and surrealism &
Entering the final week to see Glenn Ligon at the Brant Foundation Art Study Center!  Ligon’s work is grounded in language — whether inspired by literary greats such as James Baldwin or HG Wells; or by the direct, and often profane, comed
Our European travels in June concluded with a trip to Hydra and our first time attending the DESTE Foundation’s annnual events. This year’s exhibition at The Slaughterhouse, Andra Ursuta’s “Apocalypse Now and Then,” incl
The Medardo Rosso presentation at the Kunstmuseum in Basel is sensational and not to be missed.  The show, which is installed in the Neubau’s ground and second floors focuses on Rosso’s methods of making: his return to a limited number of
Vija Celmins’s “redescriptions” slow down time, allowing the viewer to see in detail what is usually only visible in high definition: light glinting off of ocean waves, the fine silk of a spider’s web or the minute holes in th

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